Tynepark Resource Centre, Haddington, is a day centre for people recovering from Mental Health problems. The centre offers a selection of activities, which people can join. There is a large ex-Manse with a lot of space in it and a newer annexe with a high tech drama room and a bright activity room where art, crafts, cooking and other activities take place.
This year an open day was organised to coincide with the Scottish Mental Health Arts and Film Festival. The programme of activities included, Shiatsu exercises, massage, a relaxation session, drama, music and poetry.
One of the morning sessions was devoted to a form of Japanese poetry called a Renga. This sort of poem has the following characteristics:
• It is usually written by more than one person, there can be as many as you want.
• The process of writing the poem is as important as the poem which results at the end.
• It can be written in one session.
• The number of verses or stanzas can vary. The ‘Kasen’ renga is popular and uses 36 stanzas.
• Each verse should be inspired in some way by the one that has gone before it. However, it should not be too obvious a link. The subject matter should leap from one stanza to the next.
• Verses are in the present tense, but avoid using ‘I’ or ‘we.’
• Verses are very direct and use as few words as possible to create a vivid image. The verses don’t speak directly of feelings but the image conveys the emotions and feelings of the poet.
• The leader writes the first stanza and this is called the ‘hokku’.
• Each stanza alternates between three and two lines.
Seven people took part in writing the Renga and the feedback at the end was that people enjoyed the session which promoted a sense of sharing
Here is the TYNEPARK RENGA written by Ray, Harry, Duncan, Andrew, Rick, Karen and Anne.
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
Thursday, 14 October 2010
Monday, 23 November 2009
PROJECT - AUTUMN LEAVES
Autumn Leaves Watercolour by Ray Harris
Last Wednesday night I went along to the Tyne and Esk writers group in Dalkeith and read them ‘An Autumn Leaf with Attitude.’ It was the final stage in a project to develop a poem on my blog.
Was it worth doing?
I would say yes, because I enjoyed the whole exercise and I got some useful comments both from my writers' group and from the on-line community ‘Writers Circle.’ I was also very pleased that Zoë joined in and wrote an autumn leaf poem… she has gone on to write another (very good) poem – this time about her experiences and impression of India.
So, what have I learnt?
Some people do not like poems about nature. They get a feeling of irritation and boredom when they come across silky stanzas, which extol the beauty of nature. They have perhaps come across Victorian poets who used rich imagery in their poetry. They think that poems should have an edge and make you think. To the extent that poems shouldn’t be boring I agree entirely. I think that the core of a good poem hits on something real which other people reading it can relate to. I like poems that get the reader to look at a subject from a different point of view. Mandy Haggith in her book ‘castings’ does this really well. Her poem ‘Out in the Open’ describes the coastline where she lives from the point of view of a lover.
this morning she waded in up to her belly button
lobsters biting the backs of her knees
winkles in her knickers
fish having sex in her sex
by noon she was posing reflected in sunshine
only her muddy feet in the water
bladderwrack dress clinging to rocky limbs
underwear a squirm of slaters and stranded
shrimps
knees crusty with barnacles
and that tell-tale white jelly stain on her skirt
now she’s inching back in, letting it lap up her legs
nudging a hundred heads, a thousand tongues
under her petticoats
letting the tribe of tentacles touch her
slapping as they come into her
splashing as she plunges to meet them
I hope that I will continue to be inspired by nature and I don’t think that will be too difficult because Scotland has such a lot of natural beauty to offer.
The project isn’t quite over. Tyne and Esk’s writer in residence, Brian Whittingham, took a professional look and suggested that I shorten the poem. I liked what he said, so there will be ‘An Autumn Leaf with Attitude2.’ This is the first version which I would like to stand in it’s own right.
An Autumn Leaf with Attitude
I am an Autumn Leaf.
One of many
and like you,
I have a story to tell.
I know a thing or two
about life.
My ancestors - all 123 seasons
left me a message of growth.
Another year unfolds,
I add to the story,
tick a ring on my Oak.
My season is done but
I’ll leave in a blaze.
I’ve changed already.
I’m a chameleon of earth colours,
fluttering at the tip of my branch.
Soon, I will join my cousins,
feeding the earth
or I might ride the burn
to some far away bank.
Until then,
I’m a note in the symphony.
Rising and falling
in the breeze.
Delight your eyes
on my delicate dance.
Watch me move,
vibrant, in the dappled light.
When the time is right
I’ll join the fall
become part of the ensemble
and fly on the wind
We will cover you
like a swirling storm
and children will play,
amazed by our bounty.
© November 2009
Sunday, 1 November 2009
AUTUMN LEAVES
(Autumn Leaves in Gifford Woods)
Although I am new to the blogging malarkey or maybe because I am new, I have been thinking about using it to best advantage. If someone told me that anyone in the world who wants to drop into my blogspot could read my musings, I might feel overwhelmed. That is until someone else told me that I am only likely to be read by one or two people and that the chances of being propelled to international fame are as likely as me winning the lottery or getting my book published (both of which are on stand-by at the moment.)
This means that I have an unexpected freedom to use this amazing set up in the best way I can think of. If it is true that one person will read this blog and that person is you, I am delighted to say that I have an idea which might be of interest.
Here’s the deal - I like poetry and I like writing poetry about things that inspire me. If you like writing poetry too, why not use the next few blogs to put together a poem about autumn leaves. This does assume that you are in the Northern hemisphere and that it is autumn where you are, but if you are in Australia or any other country in the Southern hemisphere just enjoy the sun and imagine it’s autumn.
‘But..’ you might ask, ‘how will I write a poem on autumn leaves?
I have a plan.
The first thing to do is to make a few notes about autumn leaves. Here is one I did earlier – during a particularly boring meeting at work.
• Colours – yellow, red, brown and green.
• Leaf fall – wind.
• Mulch
• Spots on leaves
If you think that this is a bit sparse you are right, it was after all an uninspiring meeting. Luckily, I remembered something that a very good poet called Mandy Haggith told me when I was in Lochinver
‘Go out and note down your observations and thoughts,’ she said.
Yesterday, with this in mind, I got on my bike and had a cycle in woods around Gifford. It was a glorious autumn day and the sun shone on the trees and piles of leaves giving me just the right amount of inspiration. I jumped off my bike and looked around and then made another list.
• Colours – green, yellow, brown, sienna, rust, black spots, grey, light brown, teak and all at once on the same leaf. Earth colours everywhere.
• Texture – dry and rustley, damp and glistening, parchment.
• Litter and clutter.
• Storms of leaves like snow.
• A symphony of sizes and shapes
• Wind rustling leaves in the branches and clusters on the ground.
• Breezes touching leaves – rippling.
• Sunlight glancing onto leaves.
• A mixture of visual delights.
• A feast for the eyes – delicate and vibrant
• Waving leaves on branches. Fluttering
• Pure dappled light
Wow – Mandy was right about getting out and about. But it’s a lot of material for a poem, and it doesn’t all have to be used.
Something occurred to me during my trip and that was:
‘Should the poem be a description of autumn leaves and the emotions they elicit in me, or could I write it from a different angle?'
• From the point of view of a big Oak leaf falling from the Oak tree,landing in a burn and travelling to… who knows where.
• Leaves with frost coats, or wet with rain or dancing in the wind.
• At last dropping from the branch, making compost for tomorrow.
• There will be many other possibilities.
If you would like to write your own poem, we can turn these thoughts, and many others into a poem. If you like, we can offer each other comments and constructive ideas and by the end of the week, we will have a finished product ready for an unsuspecting world.
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